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It wasn’t long before Colin got a call from Dick Bock, the owner of World Pacific Jazz record label, to play on a single track with Clare Fischer, with Albert Stinson on bass.

Miles needed a drummer, and having heard Colin with Victor, he called him to fill in for a couple of nights until they could sneak Tony in. In 1967, Colin started a twelve year studio career in L. In 1983 Colin joined the Richie Cole group Alto Madness, travelled to Japan and Europe, and toured the U. It was tough because he was still doing the teaching job as well.One memorable night, about midnight, Hughes, wearing a sports coat, tie, and tennis shoes, sat at the table. George fell ill and returned home, but Bain and the ladies stayed.He requested Im Gonna Take A Slow Boat To China, which the group played straight away. Bain eventually came home, and in late 1945, he received a call from guitarist Dave Barbour.He was so gracious, showing me the George Lawrence Stone finger control technique. I put in many hours every day trying to get it down, (I am still practicing mastering it! I had a lot more control with volume, and could play quietly with intensity, something that is tough for a lot of drummers. During this period, the trio played with such jazz greats as Ben Webster, Jimmy Witherspoon, and Gene Ammons. In January of 1963, he got a call from Victor Feldman who asked if he would be interested in going to Los Angeles to play a steady gig with his trio. The exposure of playing with Victor was tremendous.Joe and I have been the best of friends ever since.”Jazz Impressions of Black Orpheus In 1961, Colin emigrated to the U. In February of 1962, the record Jazz Impressions of Black Orpheus was made, featuring the tune “Cast your fate to the Wind” which was Vince’s composition. Victor had heard the record and wanted Colin to be a member of his group. Local and visiting musicians would come into the club on Sunset Boulevard called The Scene to hear the trio play.

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