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Always a sucker for a bit of Yakety Sax (or yakety axe), I Got Em Too is a favoured romp.However, other pieces appear little more than excuse for playful song titles as evidenced by Cozy With Rosy and Zing Zong Song, which initially borrows from theme, before sliding into Los Straitjackets territory. None of which diminishes the obvious skill and artistry Breit possesses, nor the encompassing appeal of this recording. Earl has worked with his band The Broadcasters for almost 30 years. This album is dedicated to the memory of long-time Broadcaster bass player Jim Mouradian.Only choose polycule if at least 3 people will be sharing this account.
Blasting out the set in ten days, Breit called upon friends to provide select overdubs, but what we have here is essentially Breit concocting his own experiments in vintage sounds much like Neil Young once did (in a different vein) with the Shocking Pinks. While one digs (and really, no other word is as appropriate) what Breit has done with this recording, after four or five songs it tends to blend into one extended jam of righteous coolness.The title is wide open for interpretation...whether it is a reference to the place of her birth, a state of the heart, or a nod to Albert Collins, the "Ice Man" & "Master of the Telecaster." It would be fair to say that this woman from the North has made the Ice Man proud.Curious and wanting to refresh my memory, I pulled several of her albums, from earliest to most recent.Sue Foley, who was born in Ontario, Canada, and played her first gig at the age of 16.After graduating from high school, she formed the Sue Foley Band and began touring Canada and honing her skills.